It’s not only there’is a Japanese Ghibli studio gives viewers the value of powerful metaphor for modern life of man, it’s also that the American Pixar contain the metaphysical core value terms family and human emotions in the face of life. From the first film Toy Story (1995) until the most recent film Inside Out, formula Pixar film amazingly simple and never intend to change, focusing on the family audience, surgery sawn maturation of the child, so from there, they pushed to climax the way each individual child seeking his maturity. And maybe, the peak is Inside Out, a work brought a semblance of metaphysical perfection, when it’s most crucial life included in the film by telling impossible or more, humans, there should sorrow to appreciate life do not?
Using the five basic elements of emotions: Fun (Joy), sad (Sadness), anger (Anger), aversion (disgust), and fear (Fear). Two directors Pete Docter, Ronaldo Del Carmen 5 Factors That turned into a tangible nature, shape, thinking and emotions exist in Riley’s first 11-year-old child was living a peaceful and happy Minnesota looks to parents at home, they must move to another place. Pick a simple situation is moving, director Pete Docter and Ronaldo Del Carmen has wisely placed the child in a situation of emotional irony, far from friends, away from school, away from familiar surroundings, far from home loving home to do from the beginning, to get to where strange, and not belonging to yourself.
Riley’s brain is described by the vibrant colors of memories, memories, feelings of happiness and sadness, of the island contains emotional family, friends, fun and honesty, In control center, joy (joy) is the captain, protect Riley from sadness, anger, anger and fear. Joy at the beginning of the movie appears as a lucky star, and fun, in a halo of bright and eye-catching, clicking on the console Joy, Riley turned her first laughter when he saw his parents. The concert began. Each emotion gradually appear, all of them: sadness, anger, disgust, and fear does not conflict with joy, they are only in the process of Joy assistant, always looking for ways to help Riley felt happy in inside his parents.
The film then takes us into two parallel story line, a story line that started in Riley, Joy tried to find ways to make Riley feel happy in a new place, while trying to take the initiative, trying to make Sadness institutions sometimes act unconsciously touching emotional core of Riley. Until, accidentally, Joy and Sadness both crashed out of the headquarters and in the container located on Riley’s memories because Sadness, up to a point, accidentally can not control himself and wanted ” hands “on Riley’s emotions.
A second feature line, including the relationship of parent and Riley, the difficulties in the new place, with schools, with the bored and alienated. If the memory of the old place in Minnesota filled smile, warm colors, cheerful, then in a new place, San Francesco bold color space sad, monotonous and drab. Riley tried glad Joy Wild try our best to bring Riley feeling happy. But can not, that’s when the sadness beyond control, when Joy became too selfish to understand that emotions exist to complement each other, to make life in a certain wear, not too extreme when we have to force themselves to think about the positive things.
Two shades of opposition, a brilliant shades in the memory of Riley with Bing Bong imaginary friend when she was a baby, with a model of the ideal guy that a girl dreaming, memories is losing and lost memories, as opposed to dark shades that life is for a 11-year-old girl not control their emotions, not to accept the reality and elated. This contrast highlights to the interior of a child. A child begins to understand how the difficulties of life, but always unconsciously seeks fun. Unconscious Joy and Sadness there. A person does not understand the role of the other person, and a person can not control their actions, and their role in human life.
Presenting a simple idea about adult cruise: People need to feel sad to find empathy and sharing. The film has a performance extremely subtle and profound. A supply line is drawn from the starting point that a child can only smile, until the end is a big kid sad to know Voii full range of emotions, with humor and bring the precious silence for both the audience and the audience adult children. Photo by force, by the power of the story, and with great creativity, audiences will unconsciously searching inside my mind, my memory of what we have lost in during the maturing process.
Directed by Pete Docter is an acquaintance of Pixar, where he spent another two animated films are excellent as Monster Inc. (2001), and Up (2009). Deep understanding child psychology, and the sympathy of maturity where this sensitive man, has made his cartoons have a subtle simplicity and power to cause terrible shaken whether we are children or adults, can find themselves in it, as things have, are or have faded away.
After a few years of American animation work stopped because the half-hearted and superficial, entertainment is characterized Pixar is back with Inside Out, a great comeback. Inside Out worthy of standing beside the monument as Toy Story or Up to again honor the purest values of animation, entertainment and education for children, and the nostalgic feeling of the people pig.
Never bury your sadness, because sadness is empathy, sharing and a motivation for us to understand the value of the joy of life.